What everyday expressions reveal about our shared perception
Eyes do much more than allow us to see. In everyday language, they have become symbols of attention, awareness, trust, desire, judgement, memory, intuition and emotion.
Across generations, people have transformed these shared human experiences into idioms and sayings. Some expressions are almost identical in different languages; others use very different images to communicate essentially the same idea.
This linguistic inheritance can be seen as a form of collective consciousness: observations repeatedly made by countless people, preserved and passed on through language until their original author is no longer relevant — or even knowable.
Analogy as a Human Language
This exploration is also connected to the work of Gabriella Mereu, whose approach places great importance on the way human beings understand, learn and communicate through analogy.
Idioms offer a simple example of this mechanism. Different languages often connect the same parts of the body with similar emotions, behaviours and states of awareness. The words may differ, while the underlying symbolic logic remains strikingly familiar.
This is one of the reasons why comparing expressions across languages is so interesting: it allows us to observe how far these analogical patterns may extend beyond individual cultures.
Let's talk about Eyes
When we say that someone has an eye for something, that we cannot believe our eyes, that something happens in the blink of an eye, or that we turn a blind eye, we immediately understand meanings that go far beyond the physical act of seeing.
Italian is particularly rich in expressions involving the eyes. Many have close equivalents in English; others preserve images that are distinctly Italian. Rather than replacing those images completely, the following translations try to retain their original character wherever possible.
At a glance
Italian: a colpo d’occhio
At first sight; as an immediate first impression.
With one’s eyes open
Italian: a occhi aperti
Consciously and knowingly, with full awareness of what one is doing. It can also imply acting deliberately after carefully considering a situation, or proceeding with attention, caution and a certain degree of mistrust.
With one’s eyes closed
Italian: ad occhi chiusi
With complete trust or confidence.
English also uses with your eyes closed for something one can do very easily or confidently.
By eye
Italian: ad occhio
Without using measuring instruments; approximately, estimating roughly from sight.
Roughly / by eye
Italian: a occhio e croce
More or less, approximately, thereabouts — usually referring to a measurement or calculation made from a quick visual estimate.
There is no exact English equivalent preserving the Italian image. At a rough estimate or by eye conveys the meaning.
With the naked eye
Italian: ad occhio nudo
Literally, visible without optical instruments.
More broadly, it may describe something so evident — a difference, defect or mistake — that it can be clearly seen without any special examination.
As far as the eye can see
Italian: a perdita d’occhio
Across a very great distance, extending beyond the furthest point the eye can reach.
Face to face / between four eyes
Italian: a quattr’occhi
A private conversation between two people, without anyone else present, generally involving something confidential or secret.
English normally says face to face or in private. The Italian expression literally means “between four eyes”.
Before one’s very eyes
Italian: a vista d’occhio
Used for something growing, changing or developing rapidly and visibly — so clearly that the change can almost be watched as it happens.
To strain one’s eyes / sharpen one’s sight
Italian: aguzzare gli occhi / aguzzare la vista
To look very carefully, often narrowing the eyelids in an attempt to see something more clearly or at a distance.
The Italian literally suggests making the eyes “sharper” or more penetrating.
To set one’s sights on something
Italian: alzare gli occhi su… / mettere gli occhi su…
To aspire to something or strongly desire it.
Depending on context, it may imply aiming above one’s position or attempting to obtain something by determined means.
Looks matter too
Italian: anche l’occhio vuole la sua parte
Something should satisfy the eye as well as being practical or useful.
A natural English equivalent would be “presentation matters too”, although the Italian literally says, “the eye wants its share as well.”
To open one’s eyes
Italian: aprire gli occhi
To become aware of an unpleasant truth that had previously gone unnoticed, particularly about deception, false appearances or unexpected danger.
To open one’s eyes to something
Italian: aprire gli occhi a qualcosa
To discover or become aware of something, especially a perspective or aspect one had never previously considered.
To open someone’s eyes
Italian: aprire gli occhi a qualcuno
To make someone aware of a reality they had failed to recognise — often an unpleasant one involving deception, danger or somebody’s true intentions.
To still have something before one’s eyes
Italian: avere ancora negli occhi
To retain a vivid visual memory of something, almost as though it were still physically present.
English might say, “I can still see it before my eyes.”
To have one’s eyes popping out of one’s head
Italian: aver gli occhi fuori dalle orbite / dalla testa
To look extremely angry, shocked or agitated, as though the eyes were almost coming out of their sockets.
To keep an eye on
Italian: tenere d’occhio
To watch something or someone carefully, keep it under observation, or wait for the right opportunity.
This has an almost exact English equivalent.
To have eyes everywhere
Italian: avere occhi per tutto
To notice everything and miss no detail, often while dealing with several things at once.
To have a good eye
Italian: avere occhio
To be good at judging measurements, proportions, situations or people.
It can also mean having the experience required to recognise something immediately, or possessing strong intuitive judgement.
English expressions such as “to have a good eye for…” are very close.
To have something before one’s eyes
Italian: avere davanti / sotto agli occhi
To have directly in front of oneself something one was searching for, the answer to a problem, or clear evidence of something.
It may be literal or figurative.
One’s eyes are closing
Italian: avere gli occhi che si chiudono / avere le palpebre che cadono
To be extremely sleepy and almost unable to keep one’s eyes open.
To have heavy eyes
Italian: avere gli occhi pesanti
To feel sleepy, as though the eyelids had become physically heavy.
To have ham over one’s eyes
Italian: avere gli occhi foderati di prosciutto
To fail to see something completely obvious, or to lack perception.
Variants include “to have slices of ham over one’s eyes” or “slices of salami over one’s eyes.”
There is no true English equivalent. Are you blind? or you can’t see what is right in front of you conveys the meaning, but loses the wonderfully Italian image.
To have eyes bigger than one’s stomach
Italian: avere gli occhi più grandi della pancia
To take or ask for more food than one is actually capable of eating.
English has the almost identical expression “your eyes are bigger than your stomach.”
More generally, it can describe overestimating one’s needs or capacities.
To have ox eyes
Italian: avere occhi da bue
To see things as greater or more alarming than they really are; to exaggerate their size or seriousness.
The saying is linked to an old popular belief that oxen perceived objects as larger than they really were.
To have nothing left but one’s eyes to cry with
Italian: avere solo gli occhi per piangere
To be left in extreme poverty or misery, possessing virtually nothing except the eyes with which to weep over one’s situation.
There is no direct English equivalent, but the image translates remarkably well.
To have something under one’s eye
Italian: avere sott’occhio
To have something directly visible and therefore easy to observe.
Figuratively, it can mean keeping something under control or clearly in mind.
One eye on the frying pan and one on the cat
Italian: avere un occhio alla padella e uno al gatto
To pay attention to two things at the same time, especially when both require supervision or may come into conflict.
There is no exact English equivalent. “To keep one eye on each” conveys the idea, but the cat-and-frying-pan image is worth preserving.
To show special consideration
Italian: avere un occhio di riguardo
To treat someone with particular care, respect or favour.
Literally, to have “an eye of special regard” for someone.
To be up to one’s eyes in it
Italian: averne fino agli occhi
To be completely fed up, exhausted or overwhelmed by a person or situation.
English also uses “up to one’s eyes”, although more commonly for being deeply involved or overloaded.
To scratch someone’s eyes out
Italian: cavare gli occhi a qualcuno
To quarrel with extreme fury or hostility, sometimes expressing a violent desire for revenge.
English has the very similar “I could scratch her eyes out.”
To close one’s eyes
Italian: chiudere gli occhi
Literally, to die.
Figuratively, to refuse to acknowledge an unpleasant reality, or deliberately ignore something one does not wish to see.
To turn a blind eye
Italian: chiudere un occhio
To deliberately overlook or tolerate something.
The closest idiomatic English equivalent is “to turn a blind eye.”
A sweeping view / overall view
Italian: colpo d’occhio
A panorama, general view or visual impression, especially when seen from above.
It can also mean the ability to take in a situation at a glance.
Out of the corner of one’s eye
Italian: con la coda dell’occhio
To look sideways without turning the head.
English has the exact conceptual equivalent “out of the corner of one’s eye.”
Wide-eyed
Italian: con tanto d’occhi
With great surprise or amazement, shown by opening the eyes very wide.
To brood over something with one’s eyes
Italian: covare con gli occhi
To gaze continuously and affectionately at someone or something, almost as though watching over and protecting it.
The Italian verb covare literally evokes a bird brooding over its eggs.
To catch the eye / stand out
Italian: dare nell’occhio / all’occhio
To attract attention through appearance, behaviour or some distinctive characteristic.
English “to catch the eye” is very close.
To cast an eye over / keep an eye on
Italian: dare / buttare un occhio a…
To check, watch or briefly look after someone or something.
English “cast an eye over” or “keep an eye on” works depending on context.
I’d give an eye for…
Italian: dare un occhio per…
To be willing to make a substantial sacrifice in order to obtain, know, see or experience something.
Usually used conditionally: “I’d give an eye to know where he is going.”
English more naturally says “I’d give anything to…” or sometimes “I’d give my right arm…”
To be up to one’s eyes in something
Italian: esserci dentro fino agli occhi
To be deeply involved in a complicated, unpleasant or dishonest situation: trouble, debt, scandal, crime and so on.
This has a close English equivalent.
To be all eyes
Italian: essere tutt’occhi
To look extremely thin in the face, so that the eyes appear disproportionately large.
It can also mean being intensely attentive and completely absorbed in watching something.
English “to be all eyes” exists in the second sense.
To make mullet eyes
Italian: far l’occhio di triglia
To look at someone with a languid, dreamy or lovestruck expression.
There is no real English equivalent. Depending on context, “to make doe eyes” is probably the closest natural expression.
To make eyes for fleas
Italian: fare gli occhi alle pulci
To be extraordinarily skilled at very delicate, precise or painstaking work.
By extension, to be excessively meticulous or fussy.
The literal Italian — “to make eyes for fleas” — is wonderfully expressive and has no English equivalent.
To make eyes at someone
Italian: fare gli occhi dolci
To look at someone affectionately or seductively, often as a form of flirting or courtship.
English “to make eyes at someone” is almost perfect.
It can also be used ironically for attempting to win somebody’s favour.
To give a pig-eyed look
Italian: fare l’occhio del porco
To glance sideways or from the corner of the eye.
The expression probably derives from the small, sideways-looking eyes traditionally associated with pigs.
To feast one’s eyes
Italian: farsi gli occhi
To enjoy looking at something attractive or pleasurable.
English “to feast one’s eyes on…” is an excellent equivalent.
To bet one’s eye
Italian: giocarsi un occhio
To gamble or risk something of extremely high value.
It can also mean declaring absolute confidence in something: being willing to “bet an eye” that one is right.
To take one’s eye off something
Italian: girare l’occhio
To become distracted for a moment and briefly lose sight of someone or something — typically just when something unfortunate happens.
English would normally say “I only took my eyes off him for a second.”
To look unfavourably on
Italian: guardare / vedere di mal occhio
To regard somebody or something with suspicion, dislike or distrust.
English “to look unfavourably on” conveys the meaning, while the Italian literally uses the “bad eye”.
Look me straight in the eye
Italian: guardare nel bianco / nelle palle degli occhi
To look directly into another person’s eyes.
Often used as a demand for complete sincerity: “Look me in the eye and tell me the truth.”
In the blink of an eye
Italian: in un batter d’occhio
Extremely quickly, in an instant.
This has an exact English equivalent.
To read someone’s eyes
Italian: leggere negli occhi
To understand what somebody is thinking or feeling from the expression in their eyes.
English often says “I could read it in his eyes.”
To roll one’s eyes heavenwards
Italian: levare / alzare gli occhi al cielo
To turn one’s eyes upwards, traditionally as though appealing to God or Heaven for help.
It can also express frustration or disbelief.
Out of sight, out of mind
Italian: lontano dagli occhi, lontano dal cuore
Distance gradually weakens attachment, passion or desire.
The English proverb “out of sight, out of mind” is the closest equivalent, although the Italian literally says “far from the eyes, far from the heart.”
What the eye doesn’t see, the heart doesn’t grieve over
Italian: occhio non vede, cuore non duole
One cannot suffer over what one does not know.
Often applied to romantic infidelity.
English has the very close proverb “What the eye doesn’t see, the heart doesn’t grieve over.”
To feast one’s eyes
Italian: lustrarsi gli occhi
To enjoy the sight of something beautiful, especially something one cannot possess.
Literally, the Italian suggests “polishing” or “brightening” the eyes through looking.
To devour someone or something with one’s eyes
Italian: mangiare / divorare con gli occhi
To look with intense desire, longing, greed or affection.
English uses “to devour with one’s eyes.”
To set one’s eyes on
Italian: metter gli occhi addosso / su…
To desire something strongly, or to become interested in someone romantically or for some future purpose.
English “to set one’s eyes on” or “to have one’s eye on” is very close.
To have eyes only for…
Italian: non avere occhi che per… / avere occhi solo per…
To be completely fascinated by or devoted to one person or thing, almost as though nothing else were visible.
English has the exact equivalent “to have eyes only for…”
Not to sleep a wink
Italian: non chiudere occhio
To be unable to sleep.
English usually says “not to sleep a wink.”
Not to believe one’s eyes
Italian: non credere ai propri occhi
To find something so unexpected or extraordinary that it is difficult to believe despite seeing it directly.
English has the exact equivalent.
Not to take one’s eyes off
Italian: non levare gli occhi di dosso
To be so interested in someone or something that one cannot stop looking.
It can also mean watching something with extreme vigilance.
English “not to take one’s eyes off…” is exact.
Bovine eyes
Italian: occhi bovini
Large, protruding and often rather expressionless eyes.
Eyes like burning coals
Italian: occhi come carboni accesi / ardenti
Very bright, intense eyes, either passionate and penetrating or blazing with anger.
The image works equally well in English.
Steel eyes
Italian: occhi d’acciaio
Eyes with a firm, cold, determined expression.
It may also refer to a cold blue-grey eye colour.
Basilisk eyes
Italian: occhi da basilisco
A terrifying, freezing stare that seems almost capable of killing.
In medieval tradition, the basilisk was a legendary creature whose gaze could cause death. Stories varied, but one traditional means of destroying it was to make it see its own reflection.
Owl eyes / an owl-like stare
Italian: occhi / sguardo da civetta
Large, round, wide-open eyes with a fixed or rather expressionless stare.
Cat eyes
Italian: occhi da gatto
Long or changeable eyes, often green or golden, sometimes suggesting mystery or an unreadable expression.
English uses “cat eyes” in much the same visual sense.
Dead-fish eyes
Italian: occhi da pesce lesso / morto
Vacant, expressionless eyes that seem to stare into space without truly seeing.
English “dead-fish eyes” preserves the image very well.
Mole eyes / eyesight like a mole
Italian: occhi / vista da talpa
Small or weak-looking eyes; by extension, very poor or short-sighted vision.
Enamel eyes
Italian: occhi di smalto
Eyes of an unusually vivid, intense and glossy colour, particularly light-coloured eyes.
The expression has no established English idiomatic equivalent.
Thieving eyes
Italian: occhi ladri
Captivating, seductive eyes capable of “stealing” the heart of whoever looks into them.
The literal translation preserves the poetic Italian image better than any standard English expression.
Blackened / bruised eyes
Italian: occhi pesti
Eyes surrounded by dark bruising after a blow.
Figuratively, eyes ringed by deep dark circles caused by exhaustion or lack of sleep.
Keep your eye on the feather!
Italian: occhio alla penna!
An exclamation meaning “Be careful!”, “Keep your eyes open!” or “Stay alert!”
The origin is uncertain and different explanations exist.
In nautical terminology, penna may refer to the upper part or peak of a sail, whose behaviour gives information about the wind.
In archery, penne are the feathers or fletching of an arrow, essential to keeping its flight stable.
In either interpretation, the expression implies watching carefully for the detail that may warn you what is about to happen.
A clinical eye
Italian: occhio clinico
Originally, a doctor’s ability to recognise a diagnosis quickly and accurately.
By extension, strong intuition and the ability to understand a situation or person immediately.
English also uses “a clinical eye”, although a good eye or a trained eye may sound more natural outside medicine.
A hawk’s eye
Italian: occhio di falco
Extremely sharp eyesight, like that traditionally attributed to birds of prey.
Also a penetrating or intensely acquisitive gaze.
English “hawk-eyed” is very close.
A lynx eye
Italian: occhio di lince
Exceptionally sharp eyesight.
Figuratively, great intelligence or intuition and the ability to notice what others miss or foresee how events may develop.
English usually says “eagle-eyed” rather than lynx-eyed.
Historically, the lynx was believed to possess extraordinary sight, even supposedly seeing through solid objects.
An eye for an eye
Italian: occhio per occhio
A principle of exact retaliation.
The expression comes from the biblical formulation usually given in English as “an eye for an eye, a tooth for a tooth” (Exodus 21:24), associated with the lex talionis: punishment proportional to the harm caused.
Although often regarded today as harsh, historically such principles also served to limit retaliation by preventing punishment from exceeding the original injury.
To speak with one’s eyes
Italian: parlare con gli occhi
To communicate feelings, thoughts or intentions through the expression of the eyes without speaking.
It can also describe eyes so expressive that they reveal what somebody is unable — or unwilling — to say.
To feed the eye
Italian: pascer l’occhio
To look at beautiful or pleasurable things, as though beauty itself were nourishment for the eyes.
English would more naturally say “to feast one’s eyes.”
To ruin one’s eyes over something
Italian: perderci gli occhi
To risk tiring or damaging one’s eyesight through extremely detailed, painstaking work.
To lose sight of
Italian: perdere d’occhio
Literally, to lose visual contact with something.
Figuratively, to stop paying adequate attention to the main point, goal or important aspect of a situation.
English has the exact equivalent “to lose sight of.”
To cry with only one eye
Italian: piangere con un occhio solo
To pretend to feel sorrow that one does not genuinely experience.
There is no equivalent English idiom, but the literal image is understandable and worth retaining.
To refresh one’s eyes
Italian: rifarsi gli occhi
Literally, it can refer to touching up eye make-up.
Figuratively, to take pleasure in looking at something beautiful, peaceful or harmonious, especially after having seen too much that was ugly or unpleasant.
A natural English equivalent is again “to feast one’s eyes”, although the Italian carries a sense of visual recovery or refreshment.
To go for someone’s eyes
Italian: saltare agli occhi
To attack someone violently, physically or verbally, usually in response to a real or perceived provocation.
The expression evokes animals defending themselves by aiming at an attacker’s eyes.
To jump out at you
Italian: saltare all’occhio
To be immediately obvious or striking, especially an error, defect, discrepancy or improvement.
English “to jump out at you” is an excellent equivalent.
To daydream
Italian: sognare a occhi aperti
Literally, “to dream with one’s eyes open.”
To fantasise about beautiful or usually unrealistic possibilities, or simply to allow one’s mind to wander pleasantly.
English “to daydream” is the ordinary equivalent.
Keep your eyes open / watch out
Italian: stare all’occhio
To remain alert and vigilant, particularly when anticipating danger or an important event.
To wink
Italian: strizzare l’occhio
Literally, to close one eye briefly as a sign of understanding or complicity.
Figuratively, it may suggest a secret agreement or tacit understanding between two people or groups.
English “to wink at” can carry similar implications.
To keep an eye on
Italian: tenere d’occhio
To keep someone or something under continuous observation or surveillance.
It can also mean following someone closely.
To keep one’s eyes open
Italian: tenere gli occhi aperti
To stay alert and notice every relevant detail in order to avoid danger, mistakes or unpleasant surprises.
English has the exact equivalent.
To keep one’s eyes on someone
Italian: tenere gli occhi addosso
To watch someone and their actions continuously and attentively.
English “to keep one’s eyes on…” is very close.
To keep one’s eyes lowered
Italian: tenere gli occhi bassi
To look towards the ground out of modesty, shyness, shame, obedience or submission.
To cost an arm and a leg
Italian: un occhio della testa
Something extremely expensive.
The literal Italian means “an eye from one’s head.”
The closest English idiom is “to cost an arm and a leg.”
To be coming out of one’s eyes
Italian: uscire dagli occhi
To be utterly sick and tired of something or someone because of excessive quantity or exposure.
The image suggests being so full of it that it is almost overflowing through the eyes.
There is no direct English equivalent; “to be sick to death of…” gives the meaning.
To look favourably on
Italian: vedere di buon occhio
To regard a person with sympathy, respect or goodwill.
Of an initiative or situation, to approve of it or support it.
English “to look favourably on” is an excellent equivalent.
More than a figure of speech?
What becomes particularly interesting when these expressions are compared across languages is how often the same associations appear.
English and Italian do not merely use the eyes as a general metaphor. Again and again, they connect them with remarkably similar ideas: awareness, attention, trust, deception, desire, memory, intuition, judgement and emotional connection.
We open our eyes when we understand. We keep an eye on what matters. We cannot believe our eyes when reality surprises us. We may turn a blind eye, lose sight of something, have eyes only for someone, or see something happen in the blink of an eye.
Some of these parallels may have travelled between cultures over centuries. Others may simply arise because human beings share the same bodies, expressions and experiences. Yet the recurrence is striking.
It raises an intriguing question: how much of what we call collective consciousness crosses linguistic and cultural boundaries?
Language may preserve observations that no individual invented consciously. Expressions are repeated because they somehow feel immediately understandable; generation after generation recognises the same relationship between a physical gesture and an inner state.
And this process has not stopped.
Eyes in digital communication
Today, much of our digital communication has returned directly to the face — and particularly to the eyes.
👀 can mean I am watching, I have noticed, I am interested, What is happening? or even Tell me more.
🙄 communicates impatience, disbelief or exasperation without requiring a single word.
😉 can suggest complicity, irony, affection or a private understanding.
😍 turns the eyes themselves into an image of desire.
The remarkable thing is that millions of people, speaking different languages, can often understand these tiny visual signs almost instantly.
Of course, cultural contact, imitation and the global spread of digital platforms explain much of this shared vocabulary. But they do not make the phenomenon any less interesting. Beneath the conventions lies something very old: human beings recognise meaning in one another's eyes.
Communication beyond common limits
In the article When Matter stops behaving like Matter, we encountered quantum entanglement, a physical phenomenon in which apparently separate parts of a system can possess correlations that classical intuition cannot adequately describe. There is currently no scientific evidence that human minds communicate through quantum entanglement, and it would be misleading to claim that they do.
But perhaps the more important lesson is not to force an explanation too soon.
Again and again, human experience reveals patterns before we completely understand the mechanisms behind them.
Shared expressions, gestures, symbols and intuitions may arise through biology, culture, learning, imitation, common experience — and perhaps through aspects of human interaction that we have not yet fully identified.
Collective consciousness can therefore be approached not as an answer, but as a field of observation.
If people separated by geography, language and history repeatedly recognise the same meanings in a glance, an open eye, a closed eye or a particular expression, that common ground deserves attention.
Science may eventually explain every part of it. Or it may discover relationships that we have not yet imagined.
For now, the language of the eyes offers a wonderfully simple place to begin looking.
Analogies Beyond Borders
The recurrence of similar symbolic associations across languages suggests that analogy may operate on a deeply human level.
This is also why I consider it important to bring Gabriella Mereu’s work to the English-speaking world, and later to the Spanish-speaking world. If analogy is a fundamental way in which human beings organise meaning and communicate experience, then its principles should be able to travel beyond the language in which they were first expressed.
Translation therefore becomes more than a linguistic exercise. It becomes a way of testing how much of this analogical language is shared across cultures.
Help carry Gabriella Mereu's work into other languages
Natural Health Fellowship is seeking bilingual translators and cultural mediators who can help make Gabriella Mereu’s work accessible in English, Spanish, Russian and other languages.
This work requires more than linguistic accuracy. Gabriella’s method draws upon popular sayings, ancestral expressions, regional language, dialect and the spontaneous metaphors through which the collective unconscious speaks within each culture.
A literal translation may preserve the words while losing the message they carry. We are therefore looking for people who know both languages and cultures from within and can recognise the emotional force, humour, disruption and resonance contained in their everyday expressions.
The purpose is to transmit the function of the language without censoring, softening or separating it from the cultural field in which it arose.
If you have the linguistic and cultural experience required for this work and would like to contribute, contact Natural Health Fellowship.
